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Threads of Peru Blog

A Glacier Pilgrimage to Meet the Señor of Qoyllur Riti

A Glacier Pilgrimage to Meet the Señor of Qoyllur Riti

Even having lived well over a year in the sky scraping city of Cusco, the daily interaction of ancient cultural legacy and a cosmopolitan, international destination continues to thrill and inspire me every day. Accordingly, after reading the highly recommended “Cochineal Red” by British archaeologist, Hugh Thompson, I was anxiously awaiting for June and one event in particular that would undoubtedly have me awe-struck by Andean mysticism. Boasting thousands of attendants, 4 days of dancing, an overnight mountain pilgrimage and “bear men" spirits - all at a gasping 5,000 meters above sea level - the festival of the Señor de Qoyllur Riti was sure to not disappoint.

As the legend was first told to me, the pagan-Catholic festival dates back to 1780 and the friendship of two Andean boys - Mariano Mayta, an indigenous herder, and Manuel, also a young villager of the high communities. On the Quillqipunku mountain, Manuel mentored Mariano in properly caring for his herds of alpacas, helping them to grow in health and number. When it came time to thank Manuel, however - taking pieces of Manuel's alpaca clothing to Cusco but finding nothing to equal its luxurious quality - they were confronted by a delegation sent by the archbishop, whose curiosity had been piqued by talk of the exceptional cloth. Upon their arrival, Manuel was transformed into a shrub and Mariano died soon after, his body laid to rest under a stone with the image of Christ. Today, and for many centuries since, that stone and its associated festival are known as the Lord of Qoyllur Riti. 

Viewed from above, the tent-covered valley.

Viewed from above, the tent-covered valley.

Possibly having come walking from hundreds of miles away, this elderly gentleman lit candles in homage at the entrance to the valley

Possibly having come walking from hundreds of miles away, this elderly gentleman lit candles in homage at the entrance to the valley.

With festivities beginning on June 12 and continuing until June 19, it was estimated that 100,000 people - Peruvian and foreign alike - were in attendance in the glacial basin of the Sinakhara mountain. Sprawled across the lunar landscape are countless tents, camp stoves heating soup for cold-weary bodies and savvy vendors in tarp-covered stalls, offering everything from incense to rosaries. Their company is made of able dancers, fervent believers and general spectators - coming from over 500 nations and invited by the initiated brotherhood of Qoyllur Riti - to pay homage to the apus (mountain gods), Christian saints or both. That the two belief systems would seemingly contradict one another rather than combine in a spiritual rite of passage is more an afterthought to the pulsing energy radiated down from the surrounding snow-capped peaks. They say it is sacred, as the legend would have us believe, and after surviving the 5-mile hike to cross into the valley, it is a belief almost impossible to contradict. 

Other pilgrims were seen from afar, coming down thin mountain trails at daybreak to join the growing crowds

Other pilgrims were seen from afar, coming down thin mountain trails at daybreak to join the growing crowds.

Dana and Kaitlyn, huddling together for a photo - and to keep warm!

 Dana and Kaitlyn, huddling together for a photo - and to keep warm!

Our small expedition of gringos and peruanos - arriving still blurry-eyed in the small town of Mahuyani, 3 hours from Cusco, at 4 AM - turned our hiking books uphill with increasing excitement as the morning sun peaked the horizon and drums guided us along with hundreds of others on the thin dirt trail. And although for only one afternoon as opposed to the 4 long days that others would spend watching and fueling the festivities, we were able to wander at leisure and enjoy - lighting candles in the music- and dance-filled church, joking with the high-voiced ukukus (bear men of the Qoyllur Riti brotherhood) and trying our hand at building miniature representations of our future lives in the juego de las casitas (the game of little houses)

The "game of little houses" has children and adults alike playing with stones, sticks and toys! Building little houses, fields and even garages, attendants at Qoyllur Riti participate in this game to "build" their future lives, asking for blessing and prosperity

 The "game of little houses" has children and adults alike playing with stones, sticks and toys! Building little houses, fields and even garages, attendants at Qoyllur Riti participate in this game to "build" their future lives, asking for blessing and prosperity.

A half circle of ukukus surround a battling pair of dancers, who take turns ceremoniously whipping each other around the ankles. They actually wear multiple pairs of high socks to soften the sting of the whip!

 A half circle of ukukus surround a battling pair of dancers, who take turns ceremoniously whipping each other around the ankles. They actually wear multiple pairs of high socks to soften the sting of the whip!

This is how I think of Cusco - as having become an intermediary world between cultural tradition and global tourism. The morning of our pilgrimage to Qoyllur Rit’i, that interaction was once again brought to my attention in that although we were part of a mass of South American pilgrims, I overhead a local man commenting, “There are tons of foreigners this year!” It would be easy to take that and the increasing presence of tourists (ourselves included!) as foreboding the commercialization of this incredibly unique ceremony. But in coming within arms reach of elaborately dressed practitioners, still dancing centuries old dances and channeling an ancient energy in this millennial year of 2014, I also feel emboldened that Cusco will always make tradition the first priority.

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Announcing the Launch of Threads of Peru's 2013 Wholesale Catalogue!

Announcing the Launch of Threads of Peru's 2013 Wholesale Catalogue!

Are you a retailer who is interested in high quality hand-made goods, traditional culture, natural materials and the principles of fair trade? Are you a business-person looking to invest in some traditional artwork for corporate headquarters, or a hotel owner looking for new, ethical and culturally-inspired decoration ideas?

If so, you might be interested to browse through our freshly minted wholesale catalogue! 

Poncho Models

This catalogue features some of our finest and most highly sought items, a refined selection curated from the regular collection of textiles featured on our website and online shops. 

Ponchos

 Here at Threads of Peru, we aim to offer a more authentic and sustainable view of fashion, one that interconnects textiles, people, and the world, according to the principles of the worldwide Slow Fashion movement. [border] Slow Fashion is about providing a more sustainable future for the textile and clothing sector, linking fashion with awareness and responsibility, shifting value away from consumption to a conscious valuation of quality and durability in the products you buy and use.

Weaver hand

Weavers

 Each Threads of Peru textile is carefully woven one at a time according to centuries of tradition. Our products foster ecological and cultural integrity, as we focus on producing unique pieces from 100% natural materials.

Contact us today for your very own copy of Threads of Peru’s 2013 Wholesale Catalogue!

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Interview with Adam Foster Collins - a founder of Threads of Peru

Interview with Adam Foster Collins - a founder of Threads of Peru

1) What has been your most culture shocking moment whilst in the communities?
The most culture-shocking moment for me was when we were received in Rumira Sondormayo in the cold rain with a welcome dinner which consisted of a plastic laundry basket filled with about 20 types of potato; boiled and whole, accompanied with one hard-boiled egg; warm and still in the shell. As a special treat, we were also offered a dish of salt to add to the food. So there we all were, cold and wet. Eleven of us sat huddled in the darkened interior of a mud brick hut munching on the potatoes and eggs. And honestly, I have to admit, it was one of the greatest tasting and most memorable meals of my life.
A picture of Adam at Machu Picchu2) What inspires you to work for Threads of Peru? As a designer, I’m inspired by the idea that design thinking can be applied to any set of problems to the benefit of the situation - not only that, it MUST be applied. Even if the people involved are not “designers” as a profession. Design is the key to human beings figuring out how to move from a situation that they’re not satisfied with, to one that does satisfy them. Threads of Peru requires that we think about everything from human dynamics, to business management, to marketing and graphic design. The range of issues and the challenges they present - all aimed at the preservation and promotion of indigenous culture in Peru - is what I find so interesting.
3) What's your favourite Peruvian food?
I really enjoy the fresh salsa that often accompanies meals in Peru. I also really love coca tea with mint.
4) And your least favourite Peruvian food (and why?)
Not so much a food, but a drink - coffee. It’s very difficult to find coffee prepared the way I am accustomed to (and addicted to) at home.
5) In your opinion where is the best spot in Cusco for visiting?
The restaurants and Churches surrounding the Plaza de Armas (Central Square) in Cusco are nice to visit, and I love the square at night; the way the city lights of the residential area are visible on the mountainsides above - like stars. Also the San Blas area, which is within walking distance of the Plaza, is full of interesting shops and local art and crafts.
The Plaza at night, lit up with the Christmas decorations!6) Describe the happiest/most touching moment you have experienced in the communities? For me, it was the first time we went to the communities, which the culmination of a design class project in Canada. Eleven students made the journey, and to finally find ourselves there with the weavers in the mountains for the first time was an experience I’ll never forget. It was snowing heavily for a while, and it was beautiful.
7) Your strangest/funniest moment from living in Peru?
Trying really hard to communicate in Spanish to an elderly woman at the market about spices I was looking for, and having her suddenly get exasperated with me and huff, “No Ingles! No entiendo!” (Until then, I thought I was doing pretty well...)
8) Biggest achievement so far?
For me, it has been to see the whole structure set up; from weaving workshops and buying in the communities, to the online store and the vast internet information site,  shipping and positive customer feedback from all over the world. It has required an incredible amount of work and creative energy to set up all of this infrastructure, and to see the structure finally functioning end-to-end is a great achievement for so few people to have built.
9) Finally, whats the main thing you wish to achieve in the next five years?
To be a fully self-sustaining organisation. To see the women’s sewing skills improve so that we can introduce more contemporary product design to our inventory, which will require more complex sewing.
Adam is a Graphic and Communication Designer, living and working in Halifax, Canada. Besides working as a professional Designer, he has been a teacher of Design for almost ten years. His interest in bringing Design thinking to bear on socioeconomic issues led to the creation of Project Peru, and to the collaborative development of Threads of Peru.
 

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