Threads of Peru Blog
Threads of Peru brought together everything I loved most: the preservation of craftsmanship, weaving, natural dyeing, the quality of wool. That is why I chose to come and discover their work and help the association.
Lydia Estes joins Threads of Peru between semesters during her study abroad year. "Growing up around strong and creative women partly influenced my enthusiasm about all things female empowerment, bridging cultures through art, and sustainable and fair-trade fashion, as well. When I learned about Threads of Peru, I was convinced it perfectly blended my focuses and would provide a distinct perspective on the topic compared to what I’ve found so far in the Southern Cone."Read more
Give a warm welcome to Ryan Johnson! She'll be part of our team for two weeks. She'll be supporting us to improve our marketing and communications strategy. Read about her passions and what lead her to come work with Threads of Peru.Read more
In partnership with Nest and the Kering Group of luxury fashion brands, Threads of Peru welcomes Sales Communications Intern Aitana Munoz! Read about her journey that led her from Spain to London and now to Peru!Read more
Mariah, originally from Minnesota, first stumbled upon TOP last summer while she was searching for a way to combine her interests into meaningful work. She is currently a business school student studying Entrepreneurship & Marketing in Washington State, and spends most of her free time in the studio fostering her passions for photography and fibers.
Combining the methods of traditional anthropological research with a modern perspective to work with and sustain developing communities in a global economy, has been an interesting challenge for Threads of Peru intern Alexa Jones.
Alexa purchased a beautiful wedding table runner directly from a weaver from Rumira Sondormayo.
She says, “It is amazing to see how Peruvians mesh cultural tradition with modern technology. They are suspended between the old and the new, clinging to ancient practices while adapting to a rapidly globalizing world. Organizations like Threads of Peru help to maintain ancient craft traditions that would otherwise be lost, along with the stories of native communities. It’s been an incredible experience helping keep those stories and traditions alive.”
This vibrant red and turquoise are only a couple of the naturally produced colors.
Alexa’s internship focused on natural dye plants native to the Andes. For three months she researched the diversity of dye plants that grow in the area; which included reading previous works, interviewing master weavers for their knowledge, gathering and cataloging the dye plants, and creating color sample books.
After nearly 3 months of work, Alexa along with master weavers Daniel Sonqo and Andres Sallo produced this great selection of colors.
She also organized two natural dye workshops in order to produce all of the primary shades of TOP's color palette dyed on wool and alpaca, one in the community of Huaran with master weaver Andres Sallo, and one with master weaver Daniel Sonqo at his home in Parobamba.
She has completed a set of labeled color samples, along with the basic dye recipes and information about each plant and also conducting short interviews with the weavers in order to update the “Communities” section on the Threads of Peru website.
Alexa preparing each batch of dye during the workshop in Huaran.
Alexa Jones was a cultural research intern for the past three months with Threads of Peru. As a recently graduated Spanish and Anthropology double major from Milwaukee, Wisconsin, she felt she was able to put her skills to good use working with Threads of Peru and said, “this has been an incredibly insightful and invaluable experience! I am so grateful to have been part of the Threads of Peru team, along with all the other awesome staff and volunteers here in Cusco who I’m happy to call my friends.”
Greetings from Cusco! My name is Harrison Ackerman and I’ve been here with Threads of Peru as an Evaluation Research Intern since early July. Although Northport, a small Long Island town in New York, is where I call home, I’ve been in Boston for most of the past few years in school at Northeastern University. I’m currently the youngest in the office at 20 years old and will graduate with a degree in Political Science and International Affairs this upcoming May.
Warping is one of the many steps of creating the beautiful products by each artisans. Photo courtesy of Alexa Jones.
I was immediately drawn to Threads because of the focus on economic development and expanding opportunity in marginalized communities. However, what really solidified my decision to pursue a six month research project was the organization’s unique strategy. Rather than relying on the benevolence of donors to empower indigenous artisans, Threads has utilized the international market to create a model of social enterprise that warrants replication in other industries and across the world. The potential for creating positive change in such a sustainable business-driven project was reason enough for me to join the Threads team, and luckily enough there was a specific project concept that we excitedly agreed upon.
Annie with Ruperta in the community of Uppis. Photo courtesy of Annie Marcinek
Annie, my research partner, and I are in the process of creating and implementing the organization’s first evaluation project. As September approaches, we are finishing the project’s planning phase and will be beginning extensive community visits and weaver interviews in the upcoming second phase. The research will ultimately allow us to better understand the weavers with whom we work through the collection of baseline data. Additionally, responses to our ¨defined¨ and ¨hypothetical¨ socio-economic question sets will inform future project development and help us to more effectively support weaving cooperatives by addressing their individual and collective needs.
The thriving of Huaran weavers shows why Threads sincerely appreciates the support from our customers, followers and volunteers. Photo courtesy of Alexa Jones
Evaluating the work of NGOs like Threads of Peru is absolutely essential to ensure their continued success. For Threads to distinguish itself within the sector, it needs to prove that its initiatives are yielding worthwhile results. The days are over of investing in a cause because the needs are great and the ambitions are grand; donors want to be part of something with proven impact. While this research project is just the first step of many on the long-term evaluation horizon, building a strong foundation is key to creating a comprehensive strategy. In the words of American author Hunter S. Thompson, ¨Anything worth doing is worth doing right.¨
Hola – Hoi – Hey – Salut
My time with Threads of Peru has exceeded my expectations. Visiting the communities and learning how to weave with a back strap loom myself has greatly inspired me. I was able to closely watch the weaver’s habits, their styling as well as the way they transport and wrap their belongings and purchases.
I immersed myself in the Andean culture trying to translate their textile tradition into the modern world. I was searching for a design language that both cultures – the Andean, and my own culture (which I would like to call European) will understand.
Eliane out and about near the community of Chaullacocha during an entrega.
I am a fashion designer from Zurich, Switzerland, however for the past two years I have been living in Paris, France. I moved to Paris to work for the fashion designer LUTZ HUELLE. After two years of assisting the creative director, I decided that I was ready to take the next step and built up my own company and brand.
Elaine learning to weave on a backstrap loom.
However before embarking on this new chapter in my life, I wanted to widen my horizon further by seeing a corner of the world that is still unknown to me. Being passionate about textiles, design, pattern making and fashion, I applied to Threads of Peru proposing to design a little capsule collection for them.
Eliane and Armando working on creating the prototypes for her capsule collection.
As a result I used traditional pallays (textile designs) and known combinations, such as their black skirts with the colourful Golòn (a work-intensive and difficult ribbon), combined them with leather and gave them a modern, clean shape. I paid a lot of attention to finishings and details, which I believe are the essence of a clean, luxurious product.
Sewing the prototypes with new shapes and sizes has been a fun adventure for the team in Chinchero.
I fell in love with Cusco and the surrounding communities and even though I don’t know what the future will bring and if I ever come back to this area, it has greatly impacted my life. It has also inspired me to travel and explore all traditional and unique textile techniques in the world. I would love to continue collaborating with other similar organizations around the world.
Eliane piled up in the back of a truck to make her way to the community of Parobamba.
I am very grateful to the team of Threads of Peru, Sarah So (volunteer coordinator) who made me feel at home and helped me wherever she could from the minute I landed in Cusco and Dana Blair (project coordinator) who took along to all her community visits and faithfully trusted in my design decisions, and all the other volunteers, Stephanie Pardi, Alexa Jones, Giulia Grassi and Harrison Ackerman who enriched my work but also private time in Cusco.